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Monday, January 11, 2010

Ultimate Producers Drum Kits – WAV-Format

Ultimate Producers Drum Kits - WAV-Format

Ultimate Producers Drum Kits – WAV-Format


Ultimate Producers Drum Kits – WAV-Format | 2.7 GB


In total these packs contain over 47,000 samples, mainly drum kits but theres


a couple other bits in there too….

11 Packs Ultimate


Ultimate Producers Drum Kits - WAV-Format


seperated in to 11 different packs.


The whole lot is compressed to 2.7GB, unpacking to 5.5GB….



PACK ONE

9th Wonder Kit,

50 Cent (G-Unit Kit),

50 Centz Vol.1,

Afthermath Insterscope Shady Records Drum Samples,

Akai 32 Drum Kits


PACK TWO

Alchemist v1 Kit,

Barrio Groove,


Battlecat Kit,

BeatVox Drumz 1,

Bonus Kit,

Chamilionaire Kit,

ClubHipHop Drumz 1,

Coast to Coast Kit,

Crunk Claps,

Dirty South Collection Vol.1,


Dirty South Collection Vol.2,

Dr. Dre Drum Kit Vol 1,

Dr. Dre Drum Kit Vol 2,

Dr. Dre Drum Kit Vol 3,

Dre’s Platinum G Series Kit SSL,

Drum & Bass Drum Kit


PACK THREE

Drum Sounds + Random,


Drum_samples,

East Coast Vol.1,

Eminem Drum Pack Kit,

Ethnic HipHop 2 – Tha Percussion,

ExtremeDrumKits,

FutureSounds 3 Kits,

GOTCHANODDIN R&B Kit,

G-Unit Kit



PACK FOUR

HHS – Black Eyed Peas & DJ Toomp Kit,

HHS – Collipark N Nitti Kit,

HHS – Crime Mob, Rick Ross & Young Jeezy Kit,

HHS – Jay-Z Kit,

HHS – Jazze Pha Kit,


HHS – Jermaine Dupri Kit,

HHS – JR N’ The Trackboyz Kit,

HipHop-1 Butta Drum Kit,

HipHop-2 Cream Drum Kit,

HipHop-3 HitPlay Drum Kit,

HipHopKeyz1,

HipHopKeyz2,

HipHopKeyz3,

House Drum Kit,


Houst Dark & Dark Industries Kit,

Inter2,

J Dilla Kit,

Jay-Z Kit,

Jermaine Dupri Drum Kit,

KANYE WEST DRUM LIBRARY 1.0,

Kanye West Kit,

Kanye’s Windy City Kit SSL,


KIRK-T


PACK FIVE

Lil Jon Synths Kit,

Luny Tunes Drum Kit,

M.J. Music – Dembows & Loops (104),

MidWest Collection Vol.1,

Monserrate Kit,

Neo Kit,


Nitti Kit,

Outkast & Too Short Kit,

P5Audio Kit,

PDGood Snare Samples,

Pete Rock Kit,

PlatinumSoundSets Dr. Dre Drumkit,

Polow Da Don Kit,

R&B Vol.1,


R&B Vol.1-Addon,

Roland


PACK SIX

Scott Storch Kits 1 – 5,

Snap Muzik Kit,

SR Reality Drum Samples,

SR Redrum Monster Drum Samples,


Street Symphony Drum Kit,

Studio_Chamber_Ludwig1970


PACK SEVEN

Swiss Beats Kit,

Timbaland Kit,

Timbalicious 1+2+3 (= 3 Timbaland Kits!),

TR808 Drum Kit,

TR909 Drum Kit,

U.K. HipHop Collection Vol.1,


U.K. HipHop Collection Vol.1-Addon,

UnderGround HipHop Breakz,

Vintage Dre-Tonez,

West Coast Vol.1, WestCoastRydaKit,

Ying Yang & Pitbull Kit


PACK EIGHT

Big Fish Audio Xtreme House 2 Kits,


BigFish Rush Kits, D-Block Producer Kit v.3.54b,

Dre-mendous Drumz 1 & 2 & 3 – Dr. Dre Kits,

Firestorm Kits & Percussive,

HipHop Drumz, Just Blaze 1 & 2,

King Roc Sample Pack Vol. 2 Drums,


Markus Schleiss Club Producer Kits 1 & 2


PACK NINE

Alex Spurkel Electro-World Percussion Kits,

Bill Laswell – Ambient Groove Shots,

Da Vinyl Factory,

Da Vinyl Factory 3, D-Block Producer Kit v.3.54b,

Dre-mendous Drumz 1+2+3 – Dr. Dre Kit 1+2+3,

Ethnic 1-5,


Ethnic HipHop 2 – Percussion,

George Pendergast Essential Percussion Shots



PACK TEN


HipHop Drumz,

Intergalactic HipHop 1+2,

Klapz,

Markus Schleiss Electro Producer Kits,

Markus Schleiss House Producer Kits 1



PACK 11

Phatboy Beats & Chemical Treats

Producers Toolbox Demo Files

Sample Magic Electro-House Kits

Telephoned Filtered Beatz

Tyros 2

Wu-Tang Clan Producer Kit v.1.01a


Ultimate Producers Drum Kits – WAV-Format



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Wednesday, December 23, 2009

BRIAN G RECORDING GUIDE FOR RAPPERS




briangmusic.com/files/10%20Steps%20to%20...%20Home%20Studio.pdf





Give it to ALL your Beat buyer clients and is great to send to your opt in e-mail subscribers as well



helpful to anybody who will be recording hip hop vocals in a home studio setting

Tuesday, December 22, 2009

Sampletekk – The Rain Piano (Kontakt-Exs-Fxp)


Sampletekk – The Rain Piano (Kontakt-Exs-Fxp)


Sampletekk – The Rain Piano (Kontakt-Exs-Fxp) |720 MB


An Upright Piano with unique character

8 True Velocities X2 (Pedal Up / Pedal Down)




Said about The Rain Piano:




  • - “DAMN that sounds awesome!!!”

  • - “It´s natural and realistic”

  • - “The idea is wonderful and the sound is very convincing!”

  • - “Quite a lovely little piano”

  • - “Love it!”

  • - ”Interesting and intriguing”

  • - “Finally someone who realised that instruments should have character”


Background


There are a lot of sampled pianos. Most of them are grand pianos that are tuned and recorded

in a way that is standard in the world of recording. But what about all the wonderful

recordings made in studios using Uprights? Could I reproduce that character in a functionally

useful sample piano? It would have to be perfectly “in tune” and yet retain the natural detuned

personality of a typical studio Upright.


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Steinberg Cubase v5.1.2 UPDATE READNFO-AiR

Steinberg Cubase v5.1.2 UPDATE READNFO-AiR


Steinberg Cubase v5.1.2 UPDATE READNFO-AiR


Yesterday  we released Steinberg Cubase v5.1.1.UPDATE. Unfortunately this

release contained a major bug  on startup in both  the StudioManager and


also  with VST3 plug-ins on some Windows Vista/Seven operating systems….



This issue was not a result of our crack!!!


It’s a classic example of the poor betatesting team steinberg has :(


The official comment from Steinberg:


“… bug in a version of  the Intel compiler


used for creating  the plug-in Set … “


more info at:


http://cubase.net/phpbb2/viewtopic.php?t=127712


Steinberg silently renewed their existing update and left a message in  the

cubase forum without promptly informing all customers about the problem and

the re-issued update.


If a case could  be made for Steinberg  to introduce a public  beta testing


policy this would  be a prime  example of it’s  validity, if such  a policy

were  introduced  these  errors  and, most  likely  many  others,  would be


captured prior to release.


Enjoy this fixed  update, use it alongside our eLicenser  emulator, to fix

these urgent problems.


TEAM AiR


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Mildon Studios Lemonstrum 3 VSTi 1.0

Mildon Studios Lemonstrum 3 VSTi 1.0


Mildon Studios Lemonstrum 3 VSTi 1.0


Mildon Studios Lemonstrum 3 VSTi 1.0 | 10.3 MB


Lemonstrum 3 is quite different from most acoustic guitar strummers. Unlike previous versions, this one is primarily a chord sample player. Each of the 12 keys on the keyboard (A-G#) triggers the chord you assign to it. You can load up to three samples (different strokes) of the same chord for each trigger, which Lemonstrum will then play alternately whenever you press the key. A light press will play a scratch effect. It is pre-loaded with power chords or “fifths,” which blend well with both major and minor chords. You can also mic your own guitar and record three downstrokes of the chord that you want and load them into Lemonstrum 3.




Scenario 1: Using the default Power Chords


To get started, try pressing middle C three times. You will hear a strumming of the chord C.

Now if you want to change the chord that middle C plays, go to “custom samples,” select C from the trigger drop-down list, then load new samples of the chord that you want (WAV format).


Scenario 2: Creating custom samples


So you’ve got this nice-sounding guitar, but it’s hard to track (and hard to quantize) especially when you’re in a hurry to get a project or a demo finished. You can use your guitar with Lemonstrum 3.


All you have to do is record three different strokes of each chord that you need. For example, you need a CM7. Record 3 downstrokes of CM7 with your real guitar and save them to your hard drive as CM7-1.wav, CM7-2.wav, and CM7-3.wav.


Now in Lemonstrum 3, go to “custom samples,” then select a trigger from the drop-down list. Say, you want to press the key D on your keyboard to play your CM7 chords. Select D from the trigger list then load your 3 wav files below. Pressing D on your keyboard will now play your custom chord CM7.


Mildon.Studios.Lemonstrum.3.VSTi.v1.0-peace-out


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Image Line Harmless VSTi 1.0.0

Image Line Harmless VSTi 1.0.0

Image Line Harmless VSTi 1.0.0


Image Line Harmless VSTi 1.0.0 | 8.47 MB


Harmless is an additive synthesizer doing subtractive synthesis. Or if you prefer, a subtractive synthesizer powered by an additive synthesis engine. You may ask: why? For several reasons. To begin with, there are too many subtractive synthesizers already, often bragging about being virtual analog. This one is digital, and proud to be. Everything is fake, the tone generator, th filter & its resonance, the phaser, all performed on the harmonics, before partials are computed. Now, how it’s synthesized shouldn’t matter after all, if the result sounds subtractive. But Harmless is more than a proof of concept, it allows fine control that wouldn’t be possible through classic subtractive synthesis. Filtering and phasing can be assigned unusual shapes & slopes, something normally only possible through offline digital filters. Filter slopes can even be defined in Hz instead of octaves. Finally, you get control on each partial’s frequency, creating timbres definitely impossible using common synthesis methods.



Image Line Harmless VSTi 1.0.0

Harmless, for less harmonics

Again, Harmless is additive doing subtractive. Harmonics are not produced to be filtered, the timbre is filtered before being generated. This may sound like a detail, but generating sounds this way offers a lot more advantages than drawbacks.


Not necessarily less efficient

Powered by a highly optimized, multithreaded additive engine, CPU usage is comparable to the one of traditional subtractive synthesizers, especially for low-passed timbres. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU.


Because less is more

Harmless was limited by design. We don’t have any problem with complex synthesizers (we made several), but they’re not for everyone. Here, no tabs, no hidden controls, no multipoint envelopes, all features are visible at once, and color-grouped. Over 100 parameters, most of which being automatable, are laid over a clear GUI.


Harmless, only in appearance


Simpler to program, yet packed with evil features. Under the hood, you will find unique options, like linking the phaser’s output to partials frequencies. The LFO section can act as a special modulation source, linking the phaser’s width to the velocity, or the pitch to the filter’s envelope. Of course, Harmless also offers features typically unique to additive synthesis, like its automatable harmonic mask.


Harmless is also packed with effects, the usual chorus, delay & reverb, but also a multiband compressor/limiter powered by Maximus itself. It also inherited the powerful unison from Sytrus. In conclusion, our goal was to create a subtractive synthesizer with a unique twist, that also was easy to program, and we believe it succeeded.


NOTE: Harmless is some time Harmful and some DAW cannot recall Cutoff Frequency parameter. I think Image-Line will fix soon, as always. FLi was not tested. According to the WebSite, [The VSTi version doesn't seem to unlock yet. FL version works fine ] So we’ve only cracked a VSTi version of it.


Our Santa girls were compressed with presents. Hope someone use expander to fix them. Do not equalize their body line, please use limitter to you :)


Image.Line.Harmless.VSTi.v1.0.0-peace-out

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FXPansion BFD v2.0.4.17 VSTi

FXPansion BFD v2.0.4.17 VSTi


FXPansion BFD v2.0.4.17 VSTi


FXPansion BFD v2.0.4.17 VSTi | 21 MB


an acoustic drum production environment for your computer with unprecedented power and flexibility. Extreme realism and sound quality, fast and easy set up, total plug-in integration to your digital audio workstation.


Customized 10, 18 or 32 piece kits are at your fingertips, with full control over tuning, damping, ambience levels, velocity response and more. Layer parts of the kit for powerful hybrid sounds perfect for modern productions and flick through preset kit-piece profiles for quick access to dry, damped and other useful settings. BFD2 lets you configure your sounds like a real drum kit instead of pushing buttons on a sampler.


Only WIN




You can even import your own stereo sample-sets with multiple velocity layers so you can mix and layer your own sounds with BFD2’s for experimental kits and ‘drum-replacement’ production tricks.


Size : 21.65 MB

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Westgate Studios Modular Series Oboes KONTAKT SCD-AMPLiFYiSO


Westgate Studios Modular Series Oboes KONTAKT SCD-AMPLiFYiSO


Westgate Studios Modular Series Oboes KONTAKT | 2.20 GB


This library for Kontakt features 24 bit samples recorded by Grammy award-winning engineer Tim Kimsey. On the DVD you will find a comprehensive set of patches for Solo Oboe, Solo English Horn and Oboe Section. The most important feature of this library is the Legato playing style. These patches contain not only expressive long notes, but also true legato interval samples that were recorded as the musicians played every note up and down from 1 half-step all the way up to a full octave. You don’t have to load any special tools to control them because the Legato effect is powered by Gigastudio’s iMIDI rules and Kontakt’s scripting engine. You can also vary the Attack Strength of each note, control the use of Release Samples, and play Same-Note Legato Repetitions in any rhythm or tempo.




Each of the oboe patches also allows you complete Tone Control within the instrument. If you prefer a “darker” sound, simply adjust control change 4 until you like what you hear.


Along with these highlights you’ll also find Staccato and Marcato articulations, Trills, Octave Runs and changing dynamics such as Crescendos, Diminuendos, and Fortepiano. Eerie Multiphonic Effect samples are included as well.

Westgate.Studios.Modular.Series.Oboes.KONTAKT.SCD-AMPLiFYiSO

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