MIXING WITH THE PROS

MIXING WITH THE PROS



In this video, James Tuttle will show you how EQs, compressors, limiters, reverbs, delays, amp simulators, automation, and mastering plugins are all used to craft a mix that has clarity, depth, punch, pop, and sizzle.

You'll get to see how and when each are introduced and how the entire mix is adjusted continuously as more and more elements are added.

You'll begin to see how professional mixers "see" and "hear" a mix as a whole rather than as disparate techniques.

* 36 Videos
* Learn how to mix like the pros
* Over 3 hours of content!
* Original raw audio files included so you can mix the song on your DAW!
* James Tuttle uses Pro Tools in this video but all the tools learned can be applied to any music software
* Interviews and extra commentary on mixing included!
* Wet/Dry Comparison Section
* Explanation of plugins used in mix
* Easy to use interface
* DVD-Rom, DVD (NTSC) and DVD (PAL) all in one package!

Mixing with the Pros Contents:

1. Introduction
2. Setting up Your DAW
3. Drums 1
4. Drums 2
5. Bass
6. Adjusting Drums
7. Electric Guitars - example video
8. Acoustic/Wah Guitars
9. Keys - example video
10. Adjusting the Guitars
11. Vocals 1
12. Vocals 2 - example video
13. Sound Replacer
14. Adding Effects to the Vocals
15. Editing the Arrangement
16. Adjusting and Adding Reverb
17. Automation 1
18. Automation 2
19. Automation 3
20. Master Effects
21. Reference Bounce
22. Tweaking the Mix 1
23. Tweaking the Mix 2
24. Final Bounce
25. Drums Comparison
26. Bass Comparison
27. Electric Guitar Comparison
28. Acoustic Guitar Comparison
29. Keys Comparison
30. Vocals Comparison
31. Master Fader Comparison - example video
32. Compression Plugins 1
33. Compression Plugins 2
34. Filter/EQ Plugins
35. FX Plugins
36. Master Plugins


System Compatibility:
This product includes QuickTime 7.x Mac/PC which is required for video playback. DVD-Rom drive required for DVD-Rom and DVD player required for DVD-NTSC and DVD-PAL. Minimum screen resolution for DVD-Rom: 1024 x 768.
PC: Windows XP Home or Professional, Intel Pentium or AMD Athlon 800 MHz or faster, 256 MB RAM. Windows MME or DirectSound Sound Card.
MAC: Requires Mac OS X v10.2 or higher, Power Mac G4 867 MHz, 256 MB RAM, Sound Card.



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Production Mixing Mastering with Waves

Production Mixing Mastering with Waves

Master the signal process techniques and learn the tricks for professional production in contemporary musical styles, including: R&B, Rock, Country, Alternative and Urban. This book offers a complete interactive training course featuring a 7 CD set of session files for use on Mac or PC with these popular applications: Pro Tools, Logic Audio, Cubase, Nuendo, and Sonar.


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Music Engineering

Music Engineering

Music Engineering is a hands-on guide to the practical aspects of electric and electronic music. It is both a compelling read and an essential reference guide for anyone using, choosing, designing or studying the technology of modern music. The technology and underpinning science are introduced through the real life demands of playing and recording, and illustrated with references to well known classic recordings to show how a particular effect is obtained thanks to the ingenuity of the engineer as well as the musician.

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Studio Recording Procedures

Studio Recording Procedures

The prices of recording equipment continue to drop dramatically, giving musicians and sound engineers increasing opportunities to make quality-level recordings. The Ultimate Guide to Music Recording takes a unique approach to this growing market, giving readers two books in one: a concise, tutorial audio engineering text in Part One, and then a ‘cut to the chase’, how to record any instrument fast guide in Part Two. By carefully cross-referencing these sections, industry vet Shea has created the ultimate recording resource: a textbook where you can see immediately how basic principles are utilized in the studio, and a “how-to” guide that comes complete with all the background technical material one could need – particularly when things don’t turn out as planned. Covering the basics of studio recording technology, recording techniques for every major class of instrument, and a masterclass on mixing, this is the most complete guide to music recording ever written.

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Pro Engineer School (vol.1 + vol.2)

Pro Engineer School (vol.1 + vol.2)
Bedroom studio enthusiasts endlessly scan the magazines for the latest and newest in technology. Do you know what? - professionals use tried and tested equipment because they know how to get the best out of it with maximum creativity.

And not only will you learn the pro essentials of the equipment, you will learn Sound Engineering jargon - sorry, terminology - too. You will learn how to talk Pro Audio to Audio Pros. And they will recognize you as a fellow professional.

Pro Engineer School Vol. 2 takes your knowledge further. The two chapters on mixing consoles don't start with itsy-bitsy little consoles, they start right up there with the mighty SSL SL9000 J-Series console - possibly the most widely respected mixing console there is. Pro Engineering School Vol. 2 will show you your way around the console, tell you what every channel control does, tell you about its four modes of operation, and more.

And then there are the outboard units and effects. Which control on a compressor is the most powerful? It's probably the one you would least expect. When a pro engineer wants to patch in a digital reverb unit, which one does he choose (95% of the time)? Did you know that the noise gate is probably the most creative device in the rack? (If you know how to use it creatively).

And when you get that all-important recording job interview, be prepared for questions about the future of audio. How does audio fit in with DVD-Video, for example? And what about MP3 and the Internet? Your potential future employer will want to know that you are geared up for the audio of tomorrow.

Pro Engineer School vol.1.pdf
Contents
3. Microphone Technology
19. The Use of Microphones
35. Loudspeaker Drive Units
42. Loudspeaker Systems
51. Analog Recording
64. Digital Audio
75. Digital Audio Tape Recording
86. Appendix 1 – Sound System Parameters
______________________________________

Pro Engineer School vol.2.pdf
Contents
3. Mixing Consoles (1)
19. Mixing Consoles (2)
29. EQ
41. Compression
58. Noise Gates
67. Delay and Reverberation
75. Disk Recording
94. CD and DVD-Video
111. Perceptual Coding


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103 eBooks On Music Production

103 eBooks On Music Production

Contains PDF, TXT & HTM files

15 Reverb Tips From Intermusic.com PDF
20 Tips On Audio Recording With Computer Sequencers TXT
20 Tips On Creating Realistic Sequenced Drum Parts TXT
20 Tips On Mastering By Paul White HTM
23 Compression Tips From Intermusic.com PDF
A List Of FX And Filters And What They Do From Namn PDF
Advanced Compression Techniques By Paul White HTM
Advanced Reverb By Paul White HTM
An Introduction to Mastering By Stephen J. Baldassarre HTM
CD Mastering On Your PC Tools & Techniques By Martin Walker
Complete Guide to Drum Programming By Ray F Badness PDF
Compression & Dynamics Processing Notes From Multimedian.com
Compression In Audio Recordings from The Audio Pages HTM
Compression Tips & Tricks From Hutch's Hints at Waves.com HT
Compressor Secrets By David Mellor TXT
Craig Anderton`s 10 Tips For Guitar MultiEffects HTM
Craig Anderton`s Putting Your Effects In Order HTM
Cubase Group Channels By Star HTM
Cubase Tips - Arrange To Perfection From Intermusic.com PDF
Cubase Tips - Tooled Up From Intermusic.com PDF
Effective Drum Programming By Nicholas Rowland HTM
EQ By The Octave By Robert Dennis HTM
EQ Explained By David Mellor HTM
EQ Masterclass From Intermusic.com PDF
EQ Tips from The Recording Website HTM
Equalisation Tips By Paul White HTM
Gating Drums By Stacey T. Heydon TXT
Getting More Bass In Your Mix By Paul White HTM
Giving Your Recordings A Produced Sound By Paul White TXT
Guide To Gating From Intermusic.com PDF
Guitar Miking - Musician's Friend Article HTM
Rane Professional Audio Reference PDF
Reccomended Equalisation Frequencies By Robert Dennis HTM
Recording In One Room By Hugh Robjohns HTM
Recording Techniques By Robert Dennis HTM
Recording Vocals From Intermusic.com PDF
Reverb Basics By Hugh Robjohns HTM
Reverb For Beginners - No Author DOC
Roland - Beginners Guide To Mixing PDF
Roland Drum Machine Rhythm Dictionary PDF
Run Your Own Record Label From Intermusic.com PDF
Sample CD Copyrights From Intermusic.com PDF
Soundcard Recording FAQ's Answered By Martin Walker TXT
Studio Miking By Lyle Caldwell HTM
Studio Sessions Part 1 - Delays From Intermusic.com PDF
Studio Sessions Part 2 - Reverb From Intermusic.com PDF
Synth Programming Guide By Intermusic.com PDF
Tascam - Optimizing W2k + XP For Audio PDF
The Art Of EQ By Aaron Trumm PDF
The Art Of Equalisation By Ethan Winer HTM
The Basics Of Quantising By Martin Walker TXT
The Big Squeeze - Compressors And How To Use Them By Paul Wh
The Complete Idiots Guide To Songwriting - Joel Hirschhorn P
The Design of an Audio Frequency Vacuum Tube Amplifier - The
The In's & Out's Of Gain Structure By Martin Walker HTM
The Mysteries Of Metering By Paul White HTM
The Perfect Mix By Rich TXT
The Real Vocal Book PDF
The Shure Microphone Techniques For Music Sound Reinforcemen
The World Of PC Recording By Dave Casey Of TASCAM PDF
TSC Tech Talk - EQ Tips By Devin DeVore HTM
Ultimate Midi Guide From Intermusic.com PDF
Using Compression In Audio Recordings From The Audio Pages H
Using EQ - More EQ Tips By Paul White & Mike Senior HTM
Various Sampling Theory PDF's
What The Hell Is Mixing By Nigel Lord TXT
Wizoo Cubase Sx Mixing And Mastering Sample Chapter PDF
XP Audio PC Tweaks By PC Audiolabs HTM
Audio CD Mastering by Audiographics Unlimited & John Scrip H
Berklee College - Course On Arranging PDF
Berklee College - Music Production & Engineering - PDF
Cubase SX 2 Project E-Book + Tutorial Files & SX2 Tips & Tri
Cubase SX PDF's
How to Achieve Depth & Dimension in Recording, Mixing and Ma
How To Get Great Bottom End In Your Mix By Michael Cooper HT
How To Improve Your Stereo Mixing By Paul White HTM
How To Mix A Pop Song From Scratch By Jezar - Ver 2.0 PDF
How To Set Up A Good Mix By Duke Ashton HTM
Increasing Loudness In Dance Music Production By Paul White
Integrating Mixing & Signal Processing By Craig Anderton HTM
Killer Drums By Michael Laskow TXT
KLF - The Manual - How To Have A Number 1 The Easy Way PDF
Make The Most Of Microphones From Intermusic.com PDF
Mic Placement on Drums From The SAE College Germany PDF
Microphones - Methods Of Operation & Type Examples By Gerhar
Miking Drums By Staff Members of Midi Warehouse HTM
Miking Jazz Drums By Gary Baldassari PDF
Miking Live Drums By Gordy Gale HTM
Miking Techniques By Barry Rudolph PDF
Mixing Programmed & Real Instruments Successfully By Sam Ing
More Than You Ever Wanted To Know About Phasers by Fred Ridd
Native Instruments Sampling & Re-Synthesis PDF
Paul White Recording Guitar, Acoustic Guitar and Bass Guitar
Phase Relationships By Ken Lanyon HTM
Practical Studio Soundproofing By Paul White HTM
Programming Analogue Synths An Access Virus Tutorial By Howa
Pros Guide To Compression From Intermusic.com PDF
Cubase SX Power! By Robert Guerin PDF
Home Recording Made Easy By Paul White PDF
Introduction to Digital Audio Signal Processing By Davide Ro
Pro Enginner School Vol. 1 + 2 By Record-Producer.com PDF
Quick Guide To Dance Music By Ian Waugh PDF

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