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Showing posts with label mastering. Show all posts
Showing posts with label mastering. Show all posts

Thursday, July 30, 2009

iZotope RX Advanced Standalone VST RTAS DX v1.21.610 - viciousvst.com -


iZotope RX Advanced Standalone VST RTAS DX v1.21.610 - viciousvst.com -



iZotope RX™ is the most complete audio restoration product on the market, a unique standalone application designed from the ground up to combat a range of audio problems. In addition to unique workflow features designed to help you get the best results, RX’s powerful tools can do processing that plug-in based restoration products simply cannot do. This paired with completely new processing technology results in cleaner, more natural sounding noise reduction and audio repair

RX is ideal for audio restoration and archiving, recording and mastering, broadcasting and podcasting, video production, forensics, and any application that demands spotless results and a truly complete range of restoration tools
RX’s standalone application gives you an ideal environment for audio restoration tasks. But for those times when you want the power of RX in your favorite audio sequencer or editor, the RX plug-ins are just what the doctor ordered


Download
rapidshare
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Hotfile
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Wednesday, May 27, 2009

Mellowmuse Mellowhead VST/RTAS 1.2


Mellowmuse Mellowhead VST/RTAS 1.2




Mellowmuse Mellowhead VST/RTAS 1.2

Mellowmuse's Mellowhead amplifier and effects suite has decided to separate itself from the competition by focusing on key areas of amp simulation. The emphasis here is on creating the raw organic sound of a mic'd tube amp. There are 10 convolution based speaker cabinets and 10 different pre-amp/tone settings, ranging from clean to brutal distortion, as well as 3 band tone controls. The 5 effects pedals, reverb and cabinet bypass allow further creative shaping of your guitar sound. CPU has been kept as low, so multiple instances wont bring your DAW to its knees, Mellowhead produces no additional latency to hamper your playing.

Features:

* 10 pre-amp/amp settings.
* 10 convolution based guitar cabinets.
* 5 effects pedals, Tremolo, Delay, Chorus, Phaser and Tone Booster.
* CPU efficient design.
* Capable of a wide range of tones from clean to heavy overdriven tube amp sounds.
* Bass, Mid, Treble tone controls.
* Separate master and pre-amp gain controls.
* Reverb.
* Cabinet bypass.


Download = http://linkbee.com/55B7
Password = Audiopirate.info

By.............................mr.fuzztone ............................

Saturday, March 14, 2009

Nomad Factory Analog Mastering Tools





Nomad Factory Analog Mastering Tools
Consists Of Three Plugins
The A.M.T Amp Leveling is a highly optimized look-ahead Brickwall Limiter and Level Maximization. The A.M.T Amp Leveler has been designed to be used for Mixing, Mastering, Tracking and Live use. Using a new proprietary algorithm ensuring a very smooth-warm sounding with maximum loudness and no digital-over-clipping as well as low CPU consumption for lightening-fast processing, the A.M.T Amp Leveler is nothing short of amazing.

* High quality signal processing algorithms
* Look-ahead Peak Limiting and Loudness Maximizer
* Input Threshold (Maximizer) variable from -20dB to +20dB
* Out Ceiling variable from -20dB to +20dB
* Recovery (Release Time) 5 settings
* Full Automation for all parameters PC and Mac OS X
* Easy-to-use vintage interface.
* Windows XP / Vista32
* VST, AU and RTAS supported
* 24 bit / 192 kHz supported


The A.M.T Max Warm is a highly optimized look-ahead Brickwall Limiter, Equalizer and Level Maximizer. What makes the A.M.T Max Warm process unique is the approach used for its dynamic signal analysis. Internally, the A.M.T Max Warm uses a special processing algorithm to accurately maximize the incoming signal level while limiting the ceiling peak levels. This approach tends to produce a more natural warm-sound, the A.M.T Max Warm also includes a two-band equalizer (Shelving/Peaking) with adjustable frequencies, making this plug-in an amazing advanced and versatile tool.

* High quality signal processing algorithms
* Peak Limiting and Loudness Maximizing with Baxandall Equalizer (Shelving/Peaking).
* Look-ahead Brickwall limiting
* Low and High Shelving controls - Boost / Cut up to 12dB
* Low Frequency variable from 60 Hz to 800 Hz (Shelving/Peaking)
* High Frequency variable from 1.2 kHz to 16 kHz (Shelving/Peaking)
* Input Threshold (Maximizer) variable from -20dB to +20dB
* Out Ceiling variable from -20dB to +20dB
* Limit Mode (Compression) 5 settings
* Recovery (Release Time) from 10ms to 999ms


The A.M.T Multi Max multiband peak limiter is a highly optimized 3 band look-ahead Brickwall Limiter, and Level Maximizer. The A.M.T Multi Max uses a special processing algorithm to accurately split and maximize the incoming signal level while limiting the ceiling peak levels. This approach tends to produce a loud and clear natural warm-sound. The A.M.T Multi Max 3 band crossover with adjustable frequencies delivers sweet highs and punchy lows, making this plug-in an amazing advanced and powerful tool. When you need maximum sound with minimum latency and complete control, the choice is clear, use the A.M.T Multi Max plug-in.

* 3-Band crossover high quality signal processing algorithms
* Look-ahead Peak Limiting and Loudness Maximizer
* Low, Mid and High bands gain controls - Boost / Cut up to 12dB per band
* Input Threshold (Maximizer) variable from -20dB to +20dB
* Out Ceiling variable from -20dB to +20dB
* Limit Mode (Compression) 5 settings
* Recovery (Release Time) 5 settings

Official Site
http://www.nomadfactory.com/products/amt/index.html

Download Link
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Friday, March 6, 2009

Fishing for Free VST effects




Blockfish - Free VST Compressor

The BLOCKFISH compressor is a dynamics compressor capable of a compact and dense sound (hence the name). But unlike a lot of digital compressors, it does not 'squash' your signal that much.
The focus was to keep your music alive and let it breathe. It comes with a typical 'vca' circuit providing modern compression - best for drums and guitars - and a classical 'opto' unit that recreates the sound of old photo-electrical gain devices and has been optimised for vocal tracks. The basic parameters are easily set up but you have access to futher adjustments that can turn BLOCKFISH into a real 'killer' device.




Floorfish - Free VST Expander / noise gate

FLOORFISH is a classical gate/expander unit that was originally designed to make acoustic drum recording much cleaner. Especially seperately miked snares and toms often unveil a large amount of 'bleeding noise' if you compress them. The FLOORFISH can help to lower this noise floor. Unlike a typical 'noise gate', the signal is not cut off completely if you do not want it to.




Spitfish - Free VST De-esser.
SPITFISH serves as an easy-to-use de-esser. If you ever had problems with loud sibilants and s-like vocals, this device can help to make those nasty sounds much smoother. You can also apply it to other signals that might need some evening out within the upper frequency range, e.g. cymbals and crashes.
The whole character has been tuned to 'nice' and 'gentle'. It should be almost impossible to make your recordings sound unnatural within the normal operational range.


Download them all in one go!


Fish VST (win)
Fish VST (mac OS 9)
Fish VST (mac OS X)

Thursday, February 19, 2009

MIXING WITH THE PROS

MIXING WITH THE PROS



In this video, James Tuttle will show you how EQs, compressors, limiters, reverbs, delays, amp simulators, automation, and mastering plugins are all used to craft a mix that has clarity, depth, punch, pop, and sizzle.

You'll get to see how and when each are introduced and how the entire mix is adjusted continuously as more and more elements are added.

You'll begin to see how professional mixers "see" and "hear" a mix as a whole rather than as disparate techniques.

* 36 Videos
* Learn how to mix like the pros
* Over 3 hours of content!
* Original raw audio files included so you can mix the song on your DAW!
* James Tuttle uses Pro Tools in this video but all the tools learned can be applied to any music software
* Interviews and extra commentary on mixing included!
* Wet/Dry Comparison Section
* Explanation of plugins used in mix
* Easy to use interface
* DVD-Rom, DVD (NTSC) and DVD (PAL) all in one package!

Mixing with the Pros Contents:

1. Introduction
2. Setting up Your DAW
3. Drums 1
4. Drums 2
5. Bass
6. Adjusting Drums
7. Electric Guitars - example video
8. Acoustic/Wah Guitars
9. Keys - example video
10. Adjusting the Guitars
11. Vocals 1
12. Vocals 2 - example video
13. Sound Replacer
14. Adding Effects to the Vocals
15. Editing the Arrangement
16. Adjusting and Adding Reverb
17. Automation 1
18. Automation 2
19. Automation 3
20. Master Effects
21. Reference Bounce
22. Tweaking the Mix 1
23. Tweaking the Mix 2
24. Final Bounce
25. Drums Comparison
26. Bass Comparison
27. Electric Guitar Comparison
28. Acoustic Guitar Comparison
29. Keys Comparison
30. Vocals Comparison
31. Master Fader Comparison - example video
32. Compression Plugins 1
33. Compression Plugins 2
34. Filter/EQ Plugins
35. FX Plugins
36. Master Plugins


System Compatibility:
This product includes QuickTime 7.x Mac/PC which is required for video playback. DVD-Rom drive required for DVD-Rom and DVD player required for DVD-NTSC and DVD-PAL. Minimum screen resolution for DVD-Rom: 1024 x 768.
PC: Windows XP Home or Professional, Intel Pentium or AMD Athlon 800 MHz or faster, 256 MB RAM. Windows MME or DirectSound Sound Card.
MAC: Requires Mac OS X v10.2 or higher, Power Mac G4 867 MHz, 256 MB RAM, Sound Card.



download info:
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Production Mixing Mastering with Waves

Production Mixing Mastering with Waves


Master the signal process techniques and learn the tricks for professional production in contemporary musical styles, including: R&B, Rock, Country, Alternative and Urban. This book offers a complete interactive training course featuring a 7 CD set of session files for use on Mac or PC with these popular applications: Pro Tools, Logic Audio, Cubase, Nuendo, and Sonar.


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Music Engineering

Music Engineering


Music Engineering is a hands-on guide to the practical aspects of electric and electronic music. It is both a compelling read and an essential reference guide for anyone using, choosing, designing or studying the technology of modern music. The technology and underpinning science are introduced through the real life demands of playing and recording, and illustrated with references to well known classic recordings to show how a particular effect is obtained thanks to the ingenuity of the engineer as well as the musician.

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Studio Recording Procedures

Studio Recording Procedures


The prices of recording equipment continue to drop dramatically, giving musicians and sound engineers increasing opportunities to make quality-level recordings. The Ultimate Guide to Music Recording takes a unique approach to this growing market, giving readers two books in one: a concise, tutorial audio engineering text in Part One, and then a ‘cut to the chase’, how to record any instrument fast guide in Part Two. By carefully cross-referencing these sections, industry vet Shea has created the ultimate recording resource: a textbook where you can see immediately how basic principles are utilized in the studio, and a “how-to” guide that comes complete with all the background technical material one could need – particularly when things don’t turn out as planned. Covering the basics of studio recording technology, recording techniques for every major class of instrument, and a masterclass on mixing, this is the most complete guide to music recording ever written.

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Pro Engineer School (vol.1 + vol.2)

Pro Engineer School (vol.1 + vol.2)
Bedroom studio enthusiasts endlessly scan the magazines for the latest and newest in technology. Do you know what? - professionals use tried and tested equipment because they know how to get the best out of it with maximum creativity.

And not only will you learn the pro essentials of the equipment, you will learn Sound Engineering jargon - sorry, terminology - too. You will learn how to talk Pro Audio to Audio Pros. And they will recognize you as a fellow professional.

Pro Engineer School Vol. 2 takes your knowledge further. The two chapters on mixing consoles don't start with itsy-bitsy little consoles, they start right up there with the mighty SSL SL9000 J-Series console - possibly the most widely respected mixing console there is. Pro Engineering School Vol. 2 will show you your way around the console, tell you what every channel control does, tell you about its four modes of operation, and more.

And then there are the outboard units and effects. Which control on a compressor is the most powerful? It's probably the one you would least expect. When a pro engineer wants to patch in a digital reverb unit, which one does he choose (95% of the time)? Did you know that the noise gate is probably the most creative device in the rack? (If you know how to use it creatively).

And when you get that all-important recording job interview, be prepared for questions about the future of audio. How does audio fit in with DVD-Video, for example? And what about MP3 and the Internet? Your potential future employer will want to know that you are geared up for the audio of tomorrow.

Pro Engineer School vol.1.pdf
Contents
3. Microphone Technology
19. The Use of Microphones
35. Loudspeaker Drive Units
42. Loudspeaker Systems
51. Analog Recording
64. Digital Audio
75. Digital Audio Tape Recording
86. Appendix 1 – Sound System Parameters
______________________________________

Pro Engineer School vol.2.pdf
Contents
3. Mixing Consoles (1)
19. Mixing Consoles (2)
29. EQ
41. Compression
58. Noise Gates
67. Delay and Reverberation
75. Disk Recording
94. CD and DVD-Video
111. Perceptual Coding


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Wednesday, February 18, 2009

103 eBooks On Music Production

103 eBooks on Music Production



103 eBooks On Music Production

Contains PDF, TXT & HTM files

15 Reverb Tips From Intermusic.com PDF
20 Tips On Audio Recording With Computer Sequencers TXT
20 Tips On Creating Realistic Sequenced Drum Parts TXT
20 Tips On Mastering By Paul White HTM
23 Compression Tips From Intermusic.com PDF
A List Of FX And Filters And What They Do From Namn PDF
Advanced Compression Techniques By Paul White HTM
Advanced Reverb By Paul White HTM
An Introduction to Mastering By Stephen J. Baldassarre HTM
CD Mastering On Your PC Tools & Techniques By Martin Walker
Complete Guide to Drum Programming By Ray F Badness PDF
Compression & Dynamics Processing Notes From Multimedian.com
Compression In Audio Recordings from The Audio Pages HTM
Compression Tips & Tricks From Hutch's Hints at Waves.com HT
Compressor Secrets By David Mellor TXT
Craig Anderton`s 10 Tips For Guitar MultiEffects HTM
Craig Anderton`s Putting Your Effects In Order HTM
Cubase Group Channels By Star HTM
Cubase Tips - Arrange To Perfection From Intermusic.com PDF
Cubase Tips - Tooled Up From Intermusic.com PDF
Effective Drum Programming By Nicholas Rowland HTM
EQ By The Octave By Robert Dennis HTM
EQ Explained By David Mellor HTM
EQ Masterclass From Intermusic.com PDF
EQ Tips from The Recording Website HTM
Equalisation Tips By Paul White HTM
Gating Drums By Stacey T. Heydon TXT
Getting More Bass In Your Mix By Paul White HTM
Giving Your Recordings A Produced Sound By Paul White TXT
Guide To Gating From Intermusic.com PDF
Guitar Miking - Musician's Friend Article HTM
Rane Professional Audio Reference PDF
Reccomended Equalisation Frequencies By Robert Dennis HTM
Recording In One Room By Hugh Robjohns HTM
Recording Techniques By Robert Dennis HTM
Recording Vocals From Intermusic.com PDF
Reverb Basics By Hugh Robjohns HTM
Reverb For Beginners - No Author DOC
Roland - Beginners Guide To Mixing PDF
Roland Drum Machine Rhythm Dictionary PDF
Run Your Own Record Label From Intermusic.com PDF
Sample CD Copyrights From Intermusic.com PDF
Soundcard Recording FAQ's Answered By Martin Walker TXT
Studio Miking By Lyle Caldwell HTM
Studio Sessions Part 1 - Delays From Intermusic.com PDF
Studio Sessions Part 2 - Reverb From Intermusic.com PDF
Synth Programming Guide By Intermusic.com PDF
Tascam - Optimizing W2k + XP For Audio PDF
The Art Of EQ By Aaron Trumm PDF
The Art Of Equalisation By Ethan Winer HTM
The Basics Of Quantising By Martin Walker TXT
The Big Squeeze - Compressors And How To Use Them By Paul Wh
The Complete Idiots Guide To Songwriting - Joel Hirschhorn P
The Design of an Audio Frequency Vacuum Tube Amplifier - The
The In's & Out's Of Gain Structure By Martin Walker HTM
The Mysteries Of Metering By Paul White HTM
The Perfect Mix By Rich TXT
The Real Vocal Book PDF
The Shure Microphone Techniques For Music Sound Reinforcemen
The World Of PC Recording By Dave Casey Of TASCAM PDF
TSC Tech Talk - EQ Tips By Devin DeVore HTM
Ultimate Midi Guide From Intermusic.com PDF
Using Compression In Audio Recordings From The Audio Pages H
Using EQ - More EQ Tips By Paul White & Mike Senior HTM
Various Sampling Theory PDF's
What The Hell Is Mixing By Nigel Lord TXT
Wizoo Cubase Sx Mixing And Mastering Sample Chapter PDF
XP Audio PC Tweaks By PC Audiolabs HTM
Audio CD Mastering by Audiographics Unlimited & John Scrip H
Berklee College - Course On Arranging PDF
Berklee College - Music Production & Engineering - PDF
Cubase SX 2 Project E-Book + Tutorial Files & SX2 Tips & Tri
Cubase SX PDF's
How to Achieve Depth & Dimension in Recording, Mixing and Ma
How To Get Great Bottom End In Your Mix By Michael Cooper HT
How To Improve Your Stereo Mixing By Paul White HTM
How To Mix A Pop Song From Scratch By Jezar - Ver 2.0 PDF
How To Set Up A Good Mix By Duke Ashton HTM
Increasing Loudness In Dance Music Production By Paul White
Integrating Mixing & Signal Processing By Craig Anderton HTM
Killer Drums By Michael Laskow TXT
KLF - The Manual - How To Have A Number 1 The Easy Way PDF
Make The Most Of Microphones From Intermusic.com PDF
Mic Placement on Drums From The SAE College Germany PDF
Microphones - Methods Of Operation & Type Examples By Gerhar
Miking Drums By Staff Members of Midi Warehouse HTM
Miking Jazz Drums By Gary Baldassari PDF
Miking Live Drums By Gordy Gale HTM
Miking Techniques By Barry Rudolph PDF
Mixing Programmed & Real Instruments Successfully By Sam Ing
More Than You Ever Wanted To Know About Phasers by Fred Ridd
Native Instruments Sampling & Re-Synthesis PDF
Paul White Recording Guitar, Acoustic Guitar and Bass Guitar
Phase Relationships By Ken Lanyon HTM
Practical Studio Soundproofing By Paul White HTM
Programming Analogue Synths An Access Virus Tutorial By Howa
Pros Guide To Compression From Intermusic.com PDF
Cubase SX Power! By Robert Guerin PDF
Home Recording Made Easy By Paul White PDF
Introduction to Digital Audio Signal Processing By Davide Ro
Pro Enginner School Vol. 1 + 2 By Record-Producer.com PDF
Quick Guide To Dance Music By Ian Waugh PDF


.....RE-UP..... once again!!! ....and again lol
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password: audiopirate.blogspot.com


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Waves Diamond Bundle v5.2 H2O




----- VST/DirectX/RTAS/ Plugin: Waves Diamond Bundle v5.2. - TEAM H2O -----

The most complete line of audio processors ever offered. Includes the
renowned Gold and Masters processor bundles plus four Renaissance
processors for a total of 27 awesome tools.

A package including next packages: Waves Platinum, Restoration & Transform.

* 35 processors for total creativity and processing tour-de-force under one hood
* Tools for EVERY application: tracking, mixing, mastering, sound design, audio restoration, creative
* Choice of processing style: transparent, surgical, analog, vintage - every processing flavor you can wish for
* Cost Effective: Pay less than Platinum + Restoration + Transform ; Have all the tools you need exactly when you need them.
* Years of Research & Design excellence: doesn't your audio deserve the best?
* WaveShell: means support for all popular plug-in formats and audio editors - TDM, RTAS, AudioSuite, VST, DirectX, MAS, Audio Units.

Included PlugIns:

L3 Ultramaximizer™

C4 Multiband Parametric Processor

L2 Ultramaximizer Doppler

UltraPitch L1 Ultramaximizer

Maxx Bass

Linear Phase Multiband

Linear Phase Equalizer

MetaFlanger

True Verb Room Emulator

Q10 Paragraphic Equalizer

S1 Stereo Imager

Renaissance Channel

Renaissance Equalizer

Renaissance DeEsser

C1 Parametric Compander

Audio Track

PS22 Stereo Maker (TDM only)

Renaissance Compressor

Renaissance Reverberator

PsychoAcoustic Analyzer

Renaissance Bass

Enigma

MondoMod

Super Tap

DeEsser

Renaissance Vox


Waves Diamond Bundle v5.2 H2O
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korg legacy (Pc Only)




korg legacy (Pc Only)
Perennially popular and hard to find in their hardware formats, these legendary synths are now resurrected for use in your computer as state-of-the-art software synthesizers. Our CMT electronic circuit modeling technology delivers stunningly accurate reproductions of the analog MS-20 and Polysix, and the groundbreaking Legacy Cell combination structure produces beefy and complex new timbres that far surpass the original models. The WAVESTATION is brought into the modern age, answering the requests of thousands of fans of that much beloved instrument.

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Essential Clubsounds




Vengeance Essential Clubsounds - Volume 3 <<<<<
more than 2500 new state of the art sounds for modern clubmusic.

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no pass

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no pass

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no pass
Once you have downloaded all files extract them all together.

otiumFX.Compadre.Beatpuncher.VST.v1.1

otiumFX.Compadre.Beatpuncher.VST.v1.1
kg
COMPADRE is the result of more than one year of research, development, and countless hours of listening tests. The final product is a quality compressor that not only delivers a highly optimized sonic behavior, but also drips with character.
COMPADRE is designed specifically for use on beats, drum loops, and
other percussive material, and it does this with attitude and flexibility. Use it for subtle enhancements or heavy duty compression. While COMPADRE has been designed with drums in mind, it’s range of flexibility allows it to deliver good performances on most types of tracks and mixes as well.

Features
• Feed forward RMS compressor with high quality characteristics.
• Multiple compression modes for expanded flexibility.
• True stereo sidechain. (4 channel input; 1+2=audio, 3+4=Sidechain)
• High & low pass filters on the sidechain.
• Further 9 filter models featuring presets with key frequencies in drum mixing.
• Adjustable low-level controls to fine tune the compression characteristics. ("Snap", "Linearity" & "Envelope").
• Dry/wet control allowing easy "parallel compression".
• Optional extra "Crunch" by enabling a built-in second compressor on the output stage.
• Optional limiter on output.
• Zero latency.
• 80 categorized presets included
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Toontrack EzPlayer Pro





Toontrack EzPlayer Pro
EZplayer® pro at a glance
EZplayer® pro is a multi track MIDI organizer, arranger and format conversion tool between mapping formats that allows you to gather all your MIDI clips in one browser. You can use EZplayer® pro to preview those MIDI clips and drag and drop them directly into your host. The multi track arranger in EZplayer® pro also makes it possible to arrange MIDI clips into fused sequences to either be saved back into the EZplayer® pro browser for later use or be dragged into your usual sequencer as part of a composition.

So what is EZplayer® pro?
EZplayer® pro is the much boosted version of Toontrack® Music's EZplayer® FREE. It is available as a separate product from Toontrack® Music and associated distributors but is also included as the MIDI drag and drop engine for Superior Drummer® 2.0. To learn more about Superior Drummer® 2.0 please visit the S2.0 product page.

How do I use EZplayer® pro?
You simply connect any track in EZplayer® pro to a track in your host pre-assigned to the sampler that you want to use as a sound source using the MIDI OUT function (check the manual found in the help menu of the EZplayer® pro interface for specific procedure in various programs).

Once attached to your sampler, it could not be easier to build your tracks, right there in our intuitive built-in arranger: use the EZplayer® pro's browser to audition your MIDI clips and arrange them on the timeline, on as few or as many tracks as is convenient or required.

But it does not stop there, using an intelligent cataloging system EZplayer® pro is also capable of isolating most percussive instruments from your MIDI files, allowing you to re-combine patterns from different grooves to form exciting new beats.

Used in conjunction with Toontrack solo and EZdrummer® or Superior Drummer®, the award winning samplers from Toontrack® Music, EZplayer® pro also becomes a stand alone workstation for creating MIDI beats independently from your regular sequencer.

Will EZplayer® pro work with any sampler?
EZplayer® pro is General MIDI compatible out of the box and will ofcourse drive any Toontrack® sampler with no further setup, but tracks in the EZplayer® pro arranger can also be connected to any other sampler instrument in your host software (to choose among the extensive 3rd party support list, see below), and thereby be used to audition and organize all your MIDI clips, regardless of where they came from.

EZplayer® pro's more specialized features focus on use with percussive samplers. As mentioned above EZplayer pro® is capable of translating MIDI files between different drum sampler. To do so simply select the appropriate mapping from the menu next to the relevant EZplayer® pro's track (or browser for audition purposes). Conversely, source material can be identified when incorporated into the browser so that any format can be translated into any other.

Supported sampler mappings at the time of writing are: dfh Superior (including Custom and Vintage), EZdrummer®, DFH® 1&2, Digidesign's Strike, Battery, BFD 1&2, Addictive Drums, Reason Drum Kits and of course any GM software or hardware sampler, percussive or not.

What else do I get with EZplayer® pro?
EZplayer® pro comes with a generous amount of percussive MIDI files to get you started. The files are played by Toontrack® artists David ”Fingers” Haynes and Per Mikaelsson (drummer of the Claustrophobic EZX®).

Can I use my existing MIDI libraries with EZplayer® pro?
Of course, just add your MIDI folders in the EZplayer® pro browser by using the Add Path function or drag them straight into the EZplayer® pro basic browser. Tell EZplayer® pro what mapping format the files are in. Instantaneously your MIDI files (complete with folder structure) will show up in the browser of EZplayer® pro ready to be auditioned, arranged on the timeline or dragged into your host.

Where can I get more MIDI files for EZplayer® pro?
Either purchase any of the Toontrack® EZdrummer® EZX® expansion packs and install on your computer*. The MIDI files included will show up in your EZplayer® pro browser automatically. You can also scroll to Content Delivery in the help menu in the EZplayer® FREE interface to find weblinks to third party content delivery sites.

link
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Sunday, February 15, 2009

iZotope Ozone 4.01 RTAS/, VST, MAS, AU (Mac OSX)+[k]


It's not finished until Ozone is on it.
The process of mastering ranges from correcting mistakes made in the mix to preparing a recording for target listening environments. Like a final coat of polish, mastering makes the difference between a good sounding mix and a professional sounding master. When you're ready to master, Ozone is all you need.
More info Here:
Code:

http://www.izotope.com/products/audio/ozone/1.) Install
2.) Open an app that used the plugin and the iZotope registration prompt will appear.
3.) Use challenge response option to register. Click next, and you'll get a challenge code.
4. Using a PPC with Tiger (OSX 10.4) and Virtual PC, or a PC or Intel Mac running Windows, start the keygen application.
5.) Type in your challenge code and it will give you the response.
6.) Back on your Mac, type in the response code, and you're all set.
Download Here:

http://cf1fd2ec.linkbucks.com
Password: ozmosis